domingo, 8 de novembro de 2015

quarta-feira, 14 de outubro de 2015

All in the Family and Simpsons' parody lyrics compared

Boy the way Glen Miller played 
Songs that made the hit parade. 
Guys like us we had it made, 
Those were the days. 

And you knew who you were then, 
Girls were girls and men were men, 
Mister we could use a man 
Like Herbert Hoover again. 

Didn't need no welfare state, 
Everybody pulled his weight. 
Gee our old LaSalle ran great. 
Those were the days.

source: http://www.lyricsondemand.com/tvthemes/allinthefamilylyrics.html

Homer: Oy, the way the Bee Gee's played,

Marge: Movies John Travolta made,

Homer: Guessing how much Elvis weighed,

Homer & Marge: Those were the days!

Marge: And you knew where you were then,

Homer: Watching shows like "Gentle Ben",

Homer & Marge: Mister, we could use a man like Sheriff Lobo again!

Homer: Disco Duck and Fleetwood Mac,

Marge: Coming out of my eight-track,

Homer & Marge: Michael Jackson still was black, those were the days!

[later]

Homer: Bart was feeling mighty blue

Marge: I'ts a shame what school can do

Apu: For no reason, here's Apu

All: Those were the days!

Calendarização Cultura Popular - última atualização (15 Out)



The Shinning

http://old.stream.cz/uservideo/529043-simpsons-shining-the

terça-feira, 29 de setembro de 2015

Ainda Buffalo Bill

Aqui um interessante artigo a problematizar o show que se auto-intitulava de "America's National Entertainment"
e aqui o trailer of filme de 1976 de Robert Altman, "Buffalo Bill and the Indians"

terça-feira, 19 de maio de 2015

Quote to comment

"Philosophers and critics have often talked of the paradox of horror and the pardox of tragedy. Why do we eagerly seek ou art forms that arouse unpleasant emotions in us like pity, sadness, and fear? I think that, for at least certain forms of comedy, there is an equally important paradox of comey. Why do we seek out art that makes us laugh at the plight of unfortunate people in a world without redemption? (...) The Simposons' use of heart-warming family endings should be seen as its attempt to paper over the paradox of comedy that it exemplifies so well."
Carl Mathieson, "The Simpsons, Hyper-Irony, and the Meaning of Life". In Maasik and Solomon (eds.) Signs of Life in the USA: Readings on Popular Culture for Writers. 6th ed. Boston / NY: Bedford / St Martin's. 2009, p. 294